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Harold Hitchcock (1914-2009), "Wayfarer" Framed Original Watercolor Painting with Letter of Authenticity. (Unsigned)
Item #265702

This item is not currently available

Medium
watercolor

Dimensions
11 x 10.5
x

QART.COM CUSTOM FRAMING SERVICES


What you can expect:

• Personal Service
• Professional design options
• Exceptional quality


The process:

We will email suggestions. You can request further options and make special requests.

Only acid free materials contact the art for long term preservation. Paper works are framed with plexi.

Canvas works are typically framed without plexi so that the vibrancy and interaction with light can be best appreciated.


Framing may be cancelled at any point before framing work begins.

Completed orders may be returned within 15 days (framing and shipping are not refundable).


Feel free to contact us with any questions you may have on this service!


No additional charge for shipping. Alaska and Hawaii addresses will have a higher rate which you can see in your cart by the "custom frame it" option.

"Wayfarer" is an original watercolor painting on paper by (1914-2009). This piece is not signed. This piece comes framed. Includes Letter of Authenticity. Measures approx. 21.5" x 22" (frame), 10.5" x 11" (image). There is some wear on the frame.
 
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The renowned British painter Harold Hitchcock (1914-2009), is a descendant of the artist George Stubbs and was encouraged to paint at an early age by his grandfather and two uncles who were exhibiting artists at the Royal Academy. He painted from a very early age receiving much praise from Dame Laura Knight and was proclaimed a prodigy by the English press. His work is purely imaginative - often depicting, in fine detail, a romantic mythological world of idealized beauty, suffused in light, and reminiscent of the 17th.C painter Claude Lorraine. However his art often has a peculiarly English quality following in the tradition of artists such as William Blake (in his adoption of a personal mythology) and particularly Samuel Palmer in his depiction of a pastoral idyll.

His use of light also recalls the paintings of J.M.W. Turner. Remarkably unaffected by modern trends in art he follows his own unique inner vision working in a spontaneous way with great technical skill. Later works have additionally included a more figurative and semi-abstract style but without sacrificing the prismatic jewel-like quality of light and color seen in the landscapes.