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Christina Habibi "Mad Max" is a unique hand made structural art in copper with COA!
Item #213872

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QART.COM CUSTOM FRAMING SERVICES


What you can expect:

• Personal Service
• Professional design options
• Exceptional quality


The process:

We will email suggestions. You can request further options and make special requests.

Only acid free materials contact the art for long term preservation. Paper works are framed with plexi.

Canvas works are typically framed without plexi so that the vibrancy and interaction with light can be best appreciated.


Framing may be cancelled at any point before actual framing work begins.

Quality Guarantee. You may return your item for a refund within 15 days (excluding shipping).


Feel free to contact us with any questions you may have on this service!


No additional charge for shipping. Alaska and Hawaii addresses will have a higher rate which you can see in your cart by the "custom frame it" option.

Show your artistic flair with this unique functional art piece. "Mad Max" is a hand made structural art in copper with COA! This item is available for local pick up at our Marina del Rey gallery. Measures approximately 21" x 21" x 20" (with 3/8" glass top).
 
U.S. Delivery  FREE SHIPPING

Christina Habibi is the daughter of an American Artist and an Iranian businessman. Born in Tehran, Iran she moved to the US at the age of 3. During her childhood, US-Iranian relations drastically changed, and Habibi cultivated a sharpened focus on misconception, perception and paradigm; this focus is captured in her abstract paintings, which are fluid and have a shape-shifting quality. The viewer begins to observe the painting determined to define a form, but finds the form elusive.
Misconception, perception and paradigm are also themes embedded in Habibi's Structural Art. Her use of copper tubing as an interior design element is a divergence from the material's utilitarian purpose. Copper tubing, which is most often hidden behind walls and in discreet locations is now re-appropriated into aesthetic centerpieces within a space. The juxtaposition of this industrial material with a refined living space conveys the limitless existence of alternative narratives. The slow patina of the copper speaks to the infinite potential for perceptual change.